The conversation would have made Calpernia Addams wince, if she
hadn't already heard it a thousand times before. Walking down the
street at Sundance Film Festival, the center of the hip filmmaking
universe, the phrase floated out of the cloud of deal-cutting
babble: . . . and then the transsexual prostitute. . .
''In Hollywood, it's like the two words go together, transsexual
and prostitute,'' says Addams, who owns a video production company
-- and is also transsexual. ``They don't even question it. These
guys were pitching some script, and it had a transsexual, so it was
only natural that she be a prostitute.''
Addams herself figures prominently in one of two new cable
productions that will try to break television's seemingly iron link
between transsexuals and sleazy criminality.
The first airs Sunday: HBO's Normal, the story of a
fiftysomething factory worker who sets off Richter-scale shock waves
in his little Illinois town with the news that he's going to undergo
surgery to become a woman.
And later this spring Addams' story will appear on Showtime in
Soldier's Girl, based on the all-too-true tale of how her GI
boyfriend was beaten to death in 1999 by other soldiers who were
enraged by their relationship.
It's a measure of just how brutally transsexuals have been
treated by Hollywood that they're treating Sunday's debut of
Normal -- which HBO made available at a handful of preview
screenings around the country -- as something like the premiere of a
new Steven Spielberg epic.
''I get so tired of seeing us as hookers all the time,'' says
Diane Arnold, a Broward County transsexual activist and Democratic
Party executive. ``Watching this was just a wonderful
experience.''
In an age where television celebrates new sexual frontiers with
increasing abandon, transsexuals -- individuals whose minds are
trapped in the body of the opposite sex -- are the forgotten
pilgrims.
NEGATIVE IMAGES
Not that you don't see transsexuals (or, to use an increasingly
popular term, the transgendered) on TV. It's just that they're
usually wielding a switchblade or a dominatrix's whip. On FX's
The Shield this week, a convulsive transsexual crackhead
broke into an elderly woman's apartment, giving her a fatal heart
attack. Last fall, Fox's John Doe featured twin brothers: a
transsexual locked up in a mental hospital and his serial-killing
brother.
NBC's Law & Order: Criminal Intent earlier this season
even managed to wrap just about every antisocial impulse known to
mankind into a single transsexual character: a serial killer who
climaxes his career by murdering his mother and then killing himself
-- ''a serial-killing, matricidal, suicidal psychopath,'' notes Nick
Adams, who monitors Hollywood for the Gay & Lesbian Alliance
Against Defamation, dryly ticking off the disorders on his
fingers.
''Hollywood has gotten the message using homosexuals exclusively
as psychopaths and sociopaths is unacceptable,'' says Adams. ``But
for transgendered people, it's somehow OK.''
Movies, too, have more than their fair share of cross-dressing ax
murderers. But film directors seem more willing to consider
transsexuals as actual characters rather than exotic gimmicks,
sometimes with spectacular results: John Lithgow got an Oscar
nomination for his motherly former pro football player in The
World According to Garp, and Hilary Swank won the award for her
portrayal of a doomed barfly in Boys Don't Cry.
But although transsexual characters have appeared regularly on
television since at least 1975 -- when Archie Bunker unknowingly
gave one mouth-to-mouth resuscitation in the back of his cab in
All in the Family -- they're treated as curiosities at best.
When Helen Shaver played a college professor for a few episodes of
the 2001-2002 CBS series The Education of Max Bickford, she
was the first -- and apparently last -- regular transsexual
character in prime-time history.
''You can often find stock transsexual characters on television,
usually during ratings sweeps,'' says Adams. ``The two most popular
are the Freak of the Week -- a killer, psychopath, murder victim,
prostitute -- psychopath, murder victim, sex worker, or the Tragic
Tranny -- suffering from some horrible disease caused by their
sex-change operation.''
The rare character who falls outside those boundaries will still
be used mostly as a punch line or punching bags. On Fox's Ally
McBeal, where gays and ethnic minorities were inevitably treated
with politically correct kid gloves, the title-character lawyer
squirmed and made faces when she had to share an elevator with a
transsexual woman.
There's nothing cartoonish about Normal. It not only
charts the volcanic emotional upheavals triggered by a revelation of
transexuality, but documents some of the pragmatic difficulties when
a grown man must learn to walk, talk and dress like a woman -- a
process painfully familiar to most transsexuals.
TOUGH TRANSITION
''I did feel like I went through puberty at age 24,'' remembers
Addams of her own transition. ``Learning to wear a bra, makeup, date
boys, all that -- everything other girls learn at age 13. And we're
alone. Most of the time society hates us -- people think we're
freaks or whatever -- so you're doing all this alone. And it can be
really hard.''
But Normal is fundamentally a love story, not a
documentary on transsexuality, and not everything in it gets high
marks for accuracy. Doctors who treat transsexuals say it focuses
too much on surgery and not enough on psychotherapy. (Transsexual
patients must undergo a year of psychiatric treatment before they're
eligible for surgery.) And some transsexuals say the movie's happy
ending, in which a marriage survives the husband's transition to
become a woman, is unlikely.
''It didn't really tell the real story of the heartache, anguish
and pain of losing everybody in your life,'' says Broward's
68-year-old Arnold, who hasn't seen her children or grandchildren
since her own transition six years ago. ``Nine times out of 10 you
lose your family.''
It's not just family bonds that are torn. A transsexual who
elects to ''go full time'' -- that is, begin living as a member of
the opposite sex -- also puts friendships and careers at risk. The
notion that genitals don't always equal gender still makes many
Americans uncomfortable, a full five decades after an ex-GI named
George Jorgensen returned from a Copenhagen clinic as Christine and
first brought transsexualism to public light.
''We threaten a lot of people,'' says Andrea James, who operates
a website ( http://www.tsroadmap.com/)
offering help to transitioning transsexuals. ``We stand outside the
binary gender system, and for a lot of people, that complicates life
too much. Even the gay community is uneasy with us.''
Addams can certainly attest to that. When her boyfriend Barry
Winchell was beaten to death by other soldiers at Fort Campbell,
Ky., four years ago, gay activists often referred to her as a male
drag queen rather than a transsexual woman. Because if Winchell was
dating a woman, then how could his murder be called gay-bashing?
SILENCE
Addams, who was taking female hormones and living as a woman at
the time but hadn't yet had surgery (she since has), didn't want her
sexual identity to distract public attention from the murder. She
kept quiet -- a decision she regrets.
''If I could do it over again, I wouldn't let that happen,'' she
says. ``I felt marginalized. And to just say Barry was gay and leave
it at that was an oversimplification at best. Barry had only dated
women before me. And he considered me and treated me as a woman when
he dated me, which was certainly how I saw myself.''
When Soldier's Girl airs later this spring, her real story
will be told. She's seen the movie and loves it.
''I think any change in societal perception of us is going to be
glacial,'' Addams muses. ``But every little melting drop, every
little movement we make in the right direction, is important.
'I'm really excited that millions of people are going to have the
chance to see empathetic, sympathetic transgender characters. Maybe
some of them will say, `Wow, that's an interesting person. I wish I
could know somebody like that.' Maybe it will open a
door.''