he
Showtime movie "Soldier's Girl" is — like "Boys Don't
Cry," "The Matthew Shepard Story" and "The Laramie
Project" — based on a true and terrible story. In
1999 Barry Winchell, a decent, ordinary guy from Missouri nominated
for Soldier of the Month in a crack Army infantry unit, fell in love
with Calpernia Addams, a glamorous and warm-hearted transgendered
nightclub performer. And he paid a grisly price for that love.
Would any of these films work as well for audiences if they
didn't bear the "true story" stamp of approval? I suspect not. The
first sign of growing tolerance for outsiders among television
viewers is the willingness to sympathize with proof of their abuse
and of their basic decency. As Calpernia tells us in the opening
voice-over, "This is a love story." And in America, wanting love and
happiness, having dreams, always proves that whoever "they" are,
they are a lot like "us."
 |
Advertisement
|
 |
When Barry Winchell (Troy Garity) is transferred to the Army's
famed Screaming Eagles division, he plans a career in the military.
He has had his troubles; a little misbehaving, a bit of a drinking
problem. But that's all over now, he tells Sergeant Diaz, (André
Braugher). The Screaming Eagles boast about their history — they
were there on D-Day; they were at Hamburger Hill. Their physical
drills are merciless. So are their psychological ones. The first
thing Barry's roommate, Justin Fisher, tells him — with a sneer — is
that he must always introduce himself as "Winchell." First names are wimpy.
(As is my language here, compared with what Justin really said).
Shawn Hatosy's Justin is short, hyper and terrifying. He has a
strident voice and a nervously defiant strut. He pops pills and gets
drunk. He engages in machismo maneuvers; throws out boasts and
insults, then claims he's kidding — the other fellow's just too dumb
to take a joke. He rants about unit discipline and how army buddies
should be ready to live and die for one another. It's Barry who sees
his fits of rage, Barry who gets his whispered confessions of
misery, Barry who becomes the object of his military-erotic
obsessions.
Justin's the type (all too familiar) who lurches from angry
Puritanism to angry walks on any wild side. The nearest wild side he
can find near Fort Campbell, Ky., is the Nashville nightclub where
transvestite and transsexual performers lip-sync pop songs in
scanty, glittery costumes. This is where Barry meets Calpernia (Lee
Pace). She is a tall, well-proportioned redhead with a slinky walk.
She's what people used to call "a real looker." She is saving up for
the sex-change operation that will make her a biological woman. She
is seductive and laconic. That's why she wins Tennessee's "Miss
Entertainer of the Year" contest with her sly interpretation of
Peggy Lee's "Fever."
For many people, the preferred word for Calpernia right now is
"transgendered." I respect the shift in terms, but I want the brute
force of the old words to stand, because the story is based on
brutal reactions to what those words signify.
Frank Pierson directs "Soldier's Girl" with forthright
naturalism. We get suspense and tenderness. We feel the violence and
the sexiness. The scenes in which Barry and Calpernia move from wary
attraction to love and easy talk are charming. They have more in
common than first appears: for one thing Calpernia, as the young man
Scottie, served in the Navy in the Persian Gulf (with a higher rank
than Barry's).
Troy Garity's Winchell is a decent, everyday guy. Mr. Garity
doesn't show off — he's not afraid to be quiet, to watch and listen.
This is just right for a man Calpernia calls "quiet and solid as a
Chanel suit." What's missing is that streak of independence, (humor,
restlessness), that would let this everyday guy take a leap into
forbidden love.
The cast does fine ensemble work. Every bit player has his or her
moment; for better and worse, we glimpse the men inside the
sergeants played by Mr. Braugher and Barclay Hope. As the twisted
17-year-old boy who becomes the instrument of Justin's rage against
Barry, Philip Eddolls is certainly scary. Since he also played one
of the killers in "The Matthew Shepard Story," it might be time to
strike a different note.
I save the best — Lee Pace's Calpernia — for last. Mr. Pace gives
us wholly confident femininity, wit and old-time movie star power
without over-easy flamboyance. It's thrilling to see how illusion
and realism fuse. "I'm just the rhinestones in this story,"
Calpernia tells us. But these rhinestones are forever.
SOLDIER'S GIRL
Showtime, Tonight at 8, Eastern and Pacific times; 7, Central
time.
Directed by Frank Pierson; Linda Gottlieb and Doro Bachrach,
producers; Ron Nyswaner, screenwriter; Katina Zinner, editor.
WITH: Tory Garity (Barry Winchell), Lee Pace (Calpernia Addams),
Shawn Hatosy (Justin Fisher), André Braugher (Sgt. Carlos Diaz) and
Phillip Eddolls (Calvin Glover).